Cornucopia, Bresil Akenson, 16x20", 2005
"Cotton, Cotton, Everywhere", Jnveny (JV) Bresil, 8x24"
Tuesday, August 24, 2010
Group 4
Here are two paintings, part of the Vassar Haiti Project, shown on flickr.
Cornucopia, Bresil Akenson, 16x20", 2005
"Cotton, Cotton, Everywhere", Jnveny (JV) Bresil, 8x24"
Cornucopia, Bresil Akenson, 16x20", 2005 "Cotton, Cotton, Everywhere", Jnveny (JV) Bresil, 8x24"
Saturday, June 19, 2010
Bresil Akenson Paintings, Group #3
Here are more Bresil Akenson original paintings. They were posted June 10, 2010 on Craig's List-Maimi, for sale, as part of collection of Hatian art being liquidated. Other artists in the collection included Saincilus Ismale, Alfred Frenold, Kendor, Jean Pierre, and Entdroin. There is no reference to the well being of Bresil Akenson. 
Friday, February 12, 2010
News Reports from Haiti.2
Haiti earthquake Number 18 Rue Bouvreuil was once a mecca for lovers of Haitian art. Outside the Musee Galerie d'Art Nader, perched on a hillside overlooking Port-au-Prince, a sign greeted visitors. "On top of the town, top in the arts," it boasted. Inside, the walls were plastered with thousands of paintings recording nearly a century of Haitian history. Now the three-storey art gallery is gone, reduced to a dusty heap of rubble and torn canvases. Broken picture frames from irreplaceable local masterpieces poke from the gallery's ruins. "My dad has about 12,000 paintings here and we are trying to save what is left," said Georges Nader, the son of Haiti's best-known art collector and the owner of the gallery, as he scanned the debris. "We have only been able to save about 2,000 of them." Guardian, 02/15/2010
Battered Haitian art shines through devastation In Port-au-Prince, art is everywhere. In the teeming capital - even in the midst of the chaos and suffering wrought by last month's earthquake - you are never far from a painting, a mural or a sculpture. So it is no surprise that art, too, has suffered. BBC News, 02/11/2010
Battered Haitian art shines through devastation In Port-au-Prince, art is everywhere. In the teeming capital - even in the midst of the chaos and suffering wrought by last month's earthquake - you are never far from a painting, a mural or a sculpture. So it is no surprise that art, too, has suffered. BBC News, 02/11/2010
Sunday, January 31, 2010
Efforts to contact Bresil Akenson
The following is a list of lists, resources and other contacts that have been used to ascertain the well being of Basil Akenson. We share these in hopes that any information about Bresil can be posted on these same lists, communicated to the resources and/or contacts. Our prayers are with Bresil, his family and other Haitian artists. LISTS
1. NOW Powered Media
2. CNN's iREPORT
3. Google Person Finder
RESOURCES
4. Le Couleurs, Art of Haiti gallery
5. Vassar Haiti Project
6. Haitian Art Company
7. Medalia Art
8. Turks & Caicos Tourist Board
CONTACTS
9. Bob Corbett
Sunday, January 24, 2010
News Reports from Haiti
Quake's toll on Haitian art, heritage and income High in the hills above the Haitian capital, artist Levoy Exil paints at his terrace studio. The man who began a career using beets, carrots, tomatoes and black beans for paint creates vibrant abstractions of life and nature. A year ago, he infused a celestial oil painting with hues of purplish red, symbolizing blood, after he gazed outward and for a moment the verdant landscape turned to black. He knew then that something bad was coming. He saw the blood he had imagined on the streets of Port-au-Prince on January 12 when the earth heaved and 150,000 people perished. CNN, 01/29/2010
Haiti's Cultural Destruction, Given the scale of the human destruction caused by the recent earthquake in Haiti -- at least 150,000 people are thought to have lost their lives in the tremors that hit the island on Jan. 12, 2010, the initial focus of media coverage was understandably on the efforts to provide basic relief. However, a week on, a number of reports have begun to come in about how the cultural sector has fared, and they are not good. With the disaster still ongoing, no one knows the true extent of the damage to Haitian cultural life. What is certain, however, is that as the weeks go by, more bad news can be expected. ArtNet, 01/26/2010
Art Trove Is Among Nation's Losses Georges Nader Sr. considers himself lucky: The two rooms of his vast home that survived this month's earthquake were those in which he and his wife were napping. What didn't survive were the 12,000 artworks in the rest of his 35-room mansion, believed to be the world's largest repository of Haitian art. Many important Haitian works have survived elsewhere, but the future of Haiti's art community is harder to divine. Haitian art supporters abroad say many artists were injured, and some remain unaccounted for. Mario Benjamin, a prominent artist who survived the earthquake, said the absence of state support had stunted the development of Haitian art before the quakes, and he sees little indication the quake will provide a revival. "How could I see an opportunity on top of bodies on the street?" he asked. Wall Street Journal, 1/25/2010
A cultural agony in a nation where art is life At Port-au-Prince's main art museum, it looked as if a cruel giant had taken bites out of the walls and ceiling of the cavernous exhibition hall. Joseph Gaspard, a member of the board of directors of the College Saint Pierre museum, was inspecting the site Saturday for the first time since the Jan. 12 earthquake, crunching broken glass as he walked through the debris. He struggled not to cry. "Haitian art is what makes the international eye see us," he said. "Every Haitian is an artist. Art, it is us, it's what we are. Even our children are artists." LATimes, 1/24/2010
[Quake painting by Haitian artist Frantz Zephirin has already incorporated the earthquake in his art, as seen in his newest creation. "I wanted to show Haitians in a sea of blood," he said. But amid the hands in the sea of blood, Zephirin has painted this: "Haiti will reborn." LA Times ]
Op-Art: Scenes From a Catastrophe New York Times, 1/24/2010
Vibrant Haitian art vanishes in the dust The earthquake two weeks ago buried hundreds of thousands and struck deep into Haiti's vibrant arts community, erasing in seconds cultural touchstones like the murals that depicted Christ's birth, crucifixion and ascension. Even as talk turns to rebuilding, artists struggle to account for the loss of thousands of expressions of artwork that shows themselves, and the world, a creativity that persists through years of political strife, turmoil and poverty. "We'll be knocking on every door possible to save whatever is left," said Gerald Alexis, a Haitian-born curator and expert on Caribbean art who from his home in Quebec is trying to mobilize arts groups to find a way to preserve the portions of the mural that survive. "It is essential for future generations, for our identity." The losses on the cultural front are staggering. Miami Herald, 1/24/2010
Cultural Riches Turn to Rubble in Haiti Quake Long before its ground started heaving, Haiti was already a byword for a broken place. Its leaders were considered kleptocrats; its people were jaw-droppingly poor. But there was still a pride that burst forth from the people here, linked both to the country’s heroic history and to the vibrant culture that united them and enabled them to endure. Now many of the symbols of that proud side of Haiti lie in ruins. The National Palace, the Notre Dame Cathedral, the Supreme Court, all are in various states of collapse. Also devastated is the Episcopal Church’s Holy Trinity Cathedral, known for its murals of Bible stories with all black figures. NewYork Times, 1/23/2010
Collection connection: Fate of artists whose work is exhibited in Waterloo is unknown, Waterloo Center for the Arts curator Kent Shankle was relieved to receive word that Haitian artist Frantz Zephirin had survived the devastating earthquake that struck Haiti Jan. 12. But the fate of many other artists whose work is represented in the center's extensive Haitian collection is unknown, as well as other friends and colleagues. Marilyn Houlberg from Chicago's Art Institute, an expert on Haitian Voudou arts and culture, was among the missing, but has since been found OK, said Shankle. "We're working the e-mail and other sources to try to find out what we can. It's still chaotic," he said. WCFCourier, 01/20/2010
Haiti's Cultural Destruction, Given the scale of the human destruction caused by the recent earthquake in Haiti -- at least 150,000 people are thought to have lost their lives in the tremors that hit the island on Jan. 12, 2010, the initial focus of media coverage was understandably on the efforts to provide basic relief. However, a week on, a number of reports have begun to come in about how the cultural sector has fared, and they are not good. With the disaster still ongoing, no one knows the true extent of the damage to Haitian cultural life. What is certain, however, is that as the weeks go by, more bad news can be expected. ArtNet, 01/26/2010
Art Trove Is Among Nation's Losses Georges Nader Sr. considers himself lucky: The two rooms of his vast home that survived this month's earthquake were those in which he and his wife were napping. What didn't survive were the 12,000 artworks in the rest of his 35-room mansion, believed to be the world's largest repository of Haitian art. Many important Haitian works have survived elsewhere, but the future of Haiti's art community is harder to divine. Haitian art supporters abroad say many artists were injured, and some remain unaccounted for. Mario Benjamin, a prominent artist who survived the earthquake, said the absence of state support had stunted the development of Haitian art before the quakes, and he sees little indication the quake will provide a revival. "How could I see an opportunity on top of bodies on the street?" he asked. Wall Street Journal, 1/25/2010
A cultural agony in a nation where art is life At Port-au-Prince's main art museum, it looked as if a cruel giant had taken bites out of the walls and ceiling of the cavernous exhibition hall. Joseph Gaspard, a member of the board of directors of the College Saint Pierre museum, was inspecting the site Saturday for the first time since the Jan. 12 earthquake, crunching broken glass as he walked through the debris. He struggled not to cry. "Haitian art is what makes the international eye see us," he said. "Every Haitian is an artist. Art, it is us, it's what we are. Even our children are artists." LATimes, 1/24/2010 [Quake painting by Haitian artist Frantz Zephirin has already incorporated the earthquake in his art, as seen in his newest creation. "I wanted to show Haitians in a sea of blood," he said. But amid the hands in the sea of blood, Zephirin has painted this: "Haiti will reborn." LA Times ]
Op-Art: Scenes From a Catastrophe New York Times, 1/24/2010
Vibrant Haitian art vanishes in the dust The earthquake two weeks ago buried hundreds of thousands and struck deep into Haiti's vibrant arts community, erasing in seconds cultural touchstones like the murals that depicted Christ's birth, crucifixion and ascension. Even as talk turns to rebuilding, artists struggle to account for the loss of thousands of expressions of artwork that shows themselves, and the world, a creativity that persists through years of political strife, turmoil and poverty. "We'll be knocking on every door possible to save whatever is left," said Gerald Alexis, a Haitian-born curator and expert on Caribbean art who from his home in Quebec is trying to mobilize arts groups to find a way to preserve the portions of the mural that survive. "It is essential for future generations, for our identity." The losses on the cultural front are staggering. Miami Herald, 1/24/2010
Cultural Riches Turn to Rubble in Haiti Quake Long before its ground started heaving, Haiti was already a byword for a broken place. Its leaders were considered kleptocrats; its people were jaw-droppingly poor. But there was still a pride that burst forth from the people here, linked both to the country’s heroic history and to the vibrant culture that united them and enabled them to endure. Now many of the symbols of that proud side of Haiti lie in ruins. The National Palace, the Notre Dame Cathedral, the Supreme Court, all are in various states of collapse. Also devastated is the Episcopal Church’s Holy Trinity Cathedral, known for its murals of Bible stories with all black figures. NewYork Times, 1/23/2010
Collection connection: Fate of artists whose work is exhibited in Waterloo is unknown, Waterloo Center for the Arts curator Kent Shankle was relieved to receive word that Haitian artist Frantz Zephirin had survived the devastating earthquake that struck Haiti Jan. 12. But the fate of many other artists whose work is represented in the center's extensive Haitian collection is unknown, as well as other friends and colleagues. Marilyn Houlberg from Chicago's Art Institute, an expert on Haitian Voudou arts and culture, was among the missing, but has since been found OK, said Shankle. "We're working the e-mail and other sources to try to find out what we can. It's still chaotic," he said. WCFCourier, 01/20/2010
Tuesday, January 19, 2010
Updates Welcome
Understandably, updates on family members, friends and Haitian artists are difficult to obtain. Please feel free to share any information that you have regarding regarding Bresil Akenson and/or all of the Haitian painters. It is through their canvas that the beauty of the Haitian people, their culture and landscape, remains with us, until we know that they are all safe.
Bresil Akenson Paintings, Group 1
Jardin Paradis (Paradise Garden)
Grande Recolte (Great Harvest)
Recolte Tomate (Tomato Crop)
Recoltes (Crops)
Cannea Sucre (Cane Sugar)
Links to Bresil Akenson's paintings
The following are links to Bresil Akenson's paintings on the Internet.
Vassar Haiti Project
Gallerie Martelly
Gallery of West Indian Art
Latin American Literature 21
Vassar Haiti Project
Gallerie Martelly
Gallery of West Indian Art
Latin American Literature 21
Bresil Akenson, Haitian painter
Bresil Akenson was born in Port-au-Prince, Haiti. He is between twenty-five and thirty years old, but all who see him struck by the fact that he looks like a young teenager. Akenson is, like many Haitian painters, entirely self-taught. He still lives and works in Port-au-Prince, where he has established and maintained a close working relationship with Galerie Issa, whose proprietor, Issa el Sayeh, has been a patron of Haitian art for many decades. His works are exhibited in several galleries in Haiti.This Blog was created out of concern for Bresil Akenson, and other Haitian painters, following the catastrophic earthquake on Tuesday, January 12, 2010. Our hopes and prayers are that Bresil and the other Haitian painters are safe.
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